What’s a couple more months?

Hey, don’t worry about it. You did nothing wrong.

Sure, but let’s not forget Canada’s longest bridge overall and the world’s longest bridge over ice-covered water

I went for Rent-To-Own on Splice. It ended up being the best deal because I received all software and version updates for two years while I paid it off and now I own the software. That was a big selling point for me after Reason went subscription. I can stop paying now that’s its paid off and keep that version of Bitwig forever while on Reason if I stopped paying I would lose access entirely.

That and Bitwig’s stock devices and modules have made a lot of VSTs I used redundant.

Tbh I wouldn’t have done it if I didn’t get an older version through means and fell in love with it.

Link to article

“Everyone should keep noroxone on hand in case they encounter someone at risk of being saved from a drug overdose or getting the help they need,”

Lemmy now supports posting a link with a custom thumbnail URL but your app may not support it.

The best satire always borders on the edge.

My mistake might also have been to bite off a bit more than I could chew from the get-go, and that I should start by following some tutorials to get to know the software better before I start interfacing everything.

That could be it. Don’t forget limitations lead to creativity.

I went with Bitwig because it’s natively Linux compatible, supports 32-bit and 64-bit VST2, VST3, and CLAP plugins with multiple sandboxing options making a plugin crash a nonissue.

A DAW may be the one thing I am willing to go for proprietary. It’s the most expensive software I have purchased for hobbyist use and it’s rewarding every time I open it. I went with the simplicity of having things “just work” for once.

But that said with all the options I do get lost in rabbit holes and would probably finish more tracks with fewer choices.

We’ve been paying attention?

Or to put it more nicely: no one finds this side of the fediverse without feeling at least a little burned by corporations.

Edit: to be clear I never meant it as rude, just a little sarcastic.

we did

💀

Upon first quick read of the title I misread it as to advertisers and everything still made sense.

The most anticipated sequel.

But how much does it earn them back? Pennies? Doesn’t matter, it’s worth it to them. Even if USA is ending production and Canada stopped years ago.

Did that really happen? I mean yeah, of course it did, but did it?

Edit: I’m not refuting it, I just missed it. I may have finally reached the point where I’m burnt out on US news. The strategic, overwhelming flood finally got to me.

Which DAW(s) have you explored?

We all take turns with one brain

Casting support is still available on older Chromecast devices or TVs that support Google Cast natively, according to Netflix’s support page, but only for subscribers on pricier ad-free plans, which start from $17.99 per month. Netflix users with an ad-supported subscription ($7.99 per month) will be unable to cast from their phones even if they own legacy Chromecast devices.

Scummy

According to the assessment, on 11 September, the day after conservative activist Charlie Kirk’s assassination, Patel arrived in Provo, Utah, but refused to leave the FBI jet without an appropriate raid jacket. A described “highly respected” source in the report explained that agents working the Kirk investigation had to stop their work to find a medium-sized jacket for Patel. When a female agent’s jacket was delivered, Patel complained about missing Velcro patches on the sleeves and refused to disembark until Swat team members removed patches from their own uniforms and attached them to the borrowed jacket.

They’re all so immature it’s almost impressive.

I went from Reason to Bitwig Studio. It’s laid out similarly to Ableton Live but with some great QoL features and design paradigms like their open modulation system.

It was Time Magazine actually. . Still funny though.